Evan Cranley – trombone (2, 4-6, 9, 12), electric guitar (6).Joe Chiccarelli – drum programming (7, 10, 11).Ohad Benchetrit – slide guitar (2, 5, 8, 9, 11), electric guitar (9).At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 30 reviews. Hug of Thunder received positive reviews from music critics. That embrace amongst the chaos." Reception Professional ratings Aggregate scores We're trying to create that hug of thunder. Drew explained that the title represents "exactly who we are. During sessions for the album, Feist conceived the idea for the title track, her first lead vocal on a Broken Social Scene song since 2006. Would you be interested in being part of this?'" In the end, eighteen musicians were credited on Hug of Thunder. "We would send out invitations for all the usual crew, and say, 'Hey, we're doing this again. "When we're working, we understand that there will be a lot more input, so we leave space in the music as we're writing it," Spearin said. Background Īfter declaring a hiatus in September 2011, Broken Social Scene performed at the Field Trip Arts & Crafts Music Festival in 2013 and played a few other festivals in 2015, which prompted band members Kevin Drew, Brendan Canning, Charles Spearin, Justin Peroff, and Andrew Whiteman to discuss recording new material. It was released by the Arts & Crafts record label on July 7, 2017. (2001, Very first recording with producer Dave Newfeld.Hug of Thunder is the fifth studio album by Canadian indie rock musical collective Broken Social Scene. (2006, From Lake Ontario Waterkeeper compilation At The Barricades: Vol 1) (2005, Released on Arts & Crafts 20th anniversary comp) (2004, From the Self-Titled bonus CD EP To Be You And Me) Released on Globe & Mail’s Broadsheet Music project) (2004, Early Broken Social Scene version of an Apostle Of Hustle song) (2010, From the end credits for film 'It's Kind Of A Funny Story') (2009, From tour 7” split with Sea and Cake) (2009, From the Forgiveness Rock Record pre-order EP L o-Fi For The Dividing Nights) Old Dead Young: B-Sides & Rarities is everything that happened in between. And with follow up releases like the blissfully chaotic Broken Social Scene (2005), the rapturous Forgiveness Rock Record (2010), and the intricate, insidiously melodic Hug of Thunder (2017), Broken Social Scene have amassed a thrillingly amorphous, unpredictable body of work. Where the band’s 2001 debut album, Feel Good Lost, presented BSS as an anonymous ambient project that reflected its humble, homespun origins, their electrifying live performances from that era rallied an extended family of performers with roots in post-rock (Justin Peroff Do Make Say Think’s Charles Spearin), Latin jazz (Andrew Whiteman), art-folk (Feist), synth-pop (Amy Millan and Evan Cranley, also of Stars), dance-punk (Metric’s Emily Haines and Jimmy Shaw), and country rock (Jason Collett).īut by pursuing improvisational freedom over commercial considerations, Broken Social Scene set a new gold standard for indie rock in the 21st century with 2002’s You Forgot It In People, an album that pushed the genre far beyond its noisy ’90s slacker roots toward a more sonically expansive, emotionally expressive vision. Once a two-person basement recording project, Broken Social Scene came to life onstage as a shadowy improvisational entity with a revolving-door roster, each concert a wholly unique experience dependent on the room, the weather, what they ate for dinner that night, and who was dropping in to play. Fans can pre-order the album and stream the first single “This House Is On Fire”, a lush and heartbreaking dream pop track taken from the 2009 Forgiveness Rock Record recording sessions. Toronto indie rock collective Broken Social Scene announced Old Dead Young: B-Sides & Rarities, a career-spanning collection of B-sides, rarities, and outtakes pulled from 20 years of 7-inches, compilations, soundtracks, and hard-to-find releases.
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